If you have two soundcards – maybe a normal soundcard for your speakers and maybe a headset with its own audio interface – you will want some way of switching all audio between the two. This is an great little open-source tool to do just that. It works on Mac, and Windows 7 up to 10:
Not that I particularly look at anything weird, but when I’m showing someone my computer I don’t want to have my ‘most visited sites’ pop up when I fire up Chrome. The following Chrome extension will get rid of the default loading page, and just display a blank page:
Two Ruby gems that I contributed to from my days in the BBC’s TITAN (Test Tools and Infrastructure) team, have been open-sourced. So finally I can say that I have made proper open-source contributions. The gems are for making automating of Android phones via Android Calabash easier, and are used in a lot of the mobile testing we do at the BBC. Here they are:
Here is my Github profile, which doesn’t look very active on the surface, but I have been contributing to repositories which remain private at the moment, so my history is not visible.
I have a lot of different instruments, both hardware and software, for making music, but here is what I use the most at the moment:
I have an actual electric piano but I don’t use the onboard sound engine, preferring to use it as a midi controller for a software piano sound. Recently I bought Ableton Live Full Suite, before I was using the ‘Grand Piano’ sound from the default install. Now there is a whole ‘Piano’ Ableton Live pack, and that seems to offer much more realistic piano sounds.
Lately I’ve been using the Sonic Charge’s Microtonic for drums, because I have been making more dance-orientated music. I find the drums really good, and they’re already fully processed with effects so you can just slot them into the mix. I also have been using the built-in Ableton 909 kit sound a lot, but might move away from that as I don’t like the sound compared to Microtonic. At some point in the future I will probably get my Nord Drum hardware drum synth out, but for now I can’t find the power supply so it’s not working.
I have been using my modular and semi-modular synthesizer as a main bassline synth, with some sounds from Ableton over the top. I have used the Access Virus synth quite a bit for synth duty, and it has some great presets for evolving arps.
I have finished filling the top half of my Eurorack case, see above. Here is a list of modules:
- Dual VCA – A-132-3
- Buffered Multiples – Intellij Buff Mult
- VCO #1 – A-110-1 VCO
- VCO #2 – A-110-1 VCO
- Low Pass Filter – A-120
- Multiples #1 – A-180-1
- Multiples #2 – A-180-1
- Quantizer – A-156 Dual Quantizer
- Envelope Generator – A-140 ADSR
- Noise Generator/Random – A-118
- Quad LFO – A-143-3 Quad LFO
- Get a logarithmic mixer module A-138b for mixing the output of the noise + two VCOs into the filter, and to free up some of my ZED-10 mixer channels for other things
- Got another A-140 ADSR module but no cable, going to get a cable and put it into the bottom left corner of the lower section.
My (mostly) Doepfer Eurorack is hooked up to my Microbrute, 2x Doepfer Dark Energy MK1s and my ZED-10 recording mixer.
The Microbrute acts as a pitch and gate out keyboard controller for all the synths and a semi-modular synthesiser in its own right with its patchbay.
The Doepfer Dark Energys are complete synth voices with a fair amount of input/outputs for modulation. They are hooked up to the pitch and gate out from the Microbrute via the Buff Mult and the Multiples on the Eurorack.
One configuration that I often use when composing music, is wire the Eurorack, the Dark Energys and the Microbrute into the ZED-10 mixer, tune each so they all play together, and create one massive analogue 5-osc synth mono voice which is great for devastating basslines, and I can modulate with the LFOs and envelopes in the system. I can then program a sequence into the Microbrute and transpose it when I play notes down on the Microbrute keyboard, or control it via the USB IN from Ableton.
Another configuration which I find interesting is patching the output of the Noise Generator/Random through the Quantizer. This results in random musical notes played by the oscilator, and you can create interesting pattern or arpeggios created solely by the Euroack without human input. I like the idea of generative music, and will be buying more modules to create more interesting computer generated randomness and music.